Italian Buddhist Institute Soka Gakkai

Florence, Italy

TITLE

Architecture competition for the new headquarters of the Italian Buddhist Institute of Soka Gakkai

CLIENT

Soka Gakkai Italia

TYPE OF INTERVENTION

New Building

STATE

2 Prize - Project

Italian Buddhist Institute Soka Gakkai

Florence, Italy

TITLE

Architecture competition for the new headquarters of the Italian Buddhist Institute of Soka Gakkai

CLIENT

Soka Gakkai Italia

TYPE OF INTERVENTION

New Building

STATE

2 Prize - Project

The new Hall is located in the garden of the historic Villa “Le Brache” in the Piana di Castello, an area known since the 14th century for its numerous Medici villas and country houses of wealthy Florentine families. These residences, combining agricultural and aristocratic functions, are important examples of the connection between architecture, garden, and landscape, where the garden serves as a transition between the residence and the cultivated territory. The Piana still retains a high historical and landscape value, with extensive olive groves, emblematic of the Tuscan landscape.

Natural elements such as water, light and soil define spaces and atmospheres of transcendence

The New Hall project originates from the ground, integrating with the landscape and organising the void instead of occupying space. The architecture works with the land, creating new landscapes between artifice and nature. The adopted architectural solution emphasises morphological and territorial values, integrating the Hall Complex into a highly integrated landscape system. The roof, a slightly inclined green plane, becomes a hanging garden that blends with the surrounding landscape, reducing visual impact and reconnecting open spaces with the territory. The methodological approach adopts the will not to interfere with the landscape balance, placing the building about four metres below the road level to avoid obstructing the view towards Florence. The external spaces for meditation open towards the garden through an inclined plane, integrating with the system of meeting places of the complex.

The hall overlooks a Japanese Garden with a water feature and a walkway, representing harmony between Man and Nature, offering a place for meditation and peace. This garden, together with the Olive Garden on the roof, symbolises Italian and Japanese culture, expressing the human ambition to reconnect with Nature. From a vegetational perspective, the project respects the historical-landscape context, expanding the parking area and relocating the orchard to a new area. The New Hall, with a capacity of 1100 devotees, is flexible and can be configured in various layouts to host different events. The use of movable panels ensures excellent acoustic insulation, while the equipped walls contain all the technical systems.

The project is based on a continuous contact between inside and outside, with natural elements such as water, light, and earth defining the internal space and the atmosphere of meditation. The rocky WALL surrounding the lowered courtyard becomes the external backdrop of the worship space, while the glazed SLOT acts as a filter between inside and outside, creating a play of light and shadow. WATER represents the life cycle, with a line of water running along the “engawa” and flowing into a basin behind the Shumidan, emphasising the mystical value of the place. The main hall uses a retractable seating system that disappears under the floor, while the wooden walls inspired by the Japanese “fusuma” are windowless, allowing filtered natural lighting.

In summary, the New Hall project dissolves into the landscape, creating continuity between architecture and nature, expressing a harmonious balance between Man and Territory, and becoming a point of cultural and spiritual convergence for humanity.

Credits

DESIGN ARCHITECTS Guendalina Salimei – Tstudio

Awards

Vincitore al The Plan Award 2019 nella sezione “Public space /Future “ con il progetto “Sala per il culto buddista “ 2019

3D Views

TStudio

Riciputo A., Arcamone S., Torre G., Guendalina Salimei. La cultura della cura condivisa. In: “Social Cohesion” di OFARCH n.158/2022 pp. 52-67.
Salimei, G. La trasformazione come atto di creazione. La Nuova Sala per il culto Buddista – Complesso Villa le Brache. In: Marucci, G. (a cura di), “La nuova architettura”. Di Baio: Milano 2019, pp. 122-125.